We are back with another classical game from a recent event in St. Louis. This one I think was quite instructive, featuring an unusual opening variation that I knew nothing about over the board.
Sargsyan, Anna (2423) - Paciorkowski, Lev (2448)
2026 Bill Wright Open, St. Louis, MO (Rd. 5)
G/90+30
My opponent is a strong international master from Armenia and now one of the top female players in the US.
1.d4 Nf6 2.c4 g6 3.Nc3 Bg7 4.e4 d6 (D)
A small note on opening strategy in these games (at least, at 2400+ level). All the games from this event were publicly recorded, and I had already played the King's Indian in round 1. So from that standpoint, one might say that it is "risky" to repeat the same opening, especially against a strong player who would be able to prepare something serious against it.
However, the other approach is to say that you know your openings like the back of your hand, and that it would be impossible to surprise you with anything, even a super rare sideline. So therefore, you should have nothing to fear in being too predictable. Further, because you play the same opening all the time, you will accumulate a lot of experience in the resulting structures and still be able to "feel" your way through unfamiliar positions if you do get them.
I don't think there is necessarily one right approach. Of course at the top level you see people play different openings almost every game. (I do not qualify as a top player, in case that needed clarifying.) For other players like myself who don't do chess full-time, it's much more practical to have one main opening and stick to it. For the King's Indian specifically, there are a few reasons why I really like it, even as a main weapon in these open tournaments:
- You can almost always guarantee a fight. This makes it especially attractive against lower-rated opponents we want to win against with the black pieces. White does have some options to try and kill the game, like the Exchange Variation, but black can still play to avoid lines like that if desired.
- Black has so many different variations to play, even in the most heavily studied classical main line. This means that you can still surprise people by switching to a different sub-variation that you maybe haven't played in a while, even if it is still all part of the "King's Indian".
- You do not have to worry about any move order tricks white often tries by starting with 1.Nf3 or 1.c4 instead of 1.d4. For instance, if you are a Grunfeld player, after 1.c4 Nf6 2.Nc3 you have to learn a completely separate variation, because if you continue 2. ... g6, white can play 3.e4, when suddenly you will not be playing a Grunfeld anymore. If you play the King's Indian, our first moves are Nf6-g6-Bg7 pretty much no matter what, so we are completely unaffected by these move order shenanigans and can always get our desired opening system.
- In open tournaments there is often not that much time to prepare for each game anyway, so this makes predictability in the opening less of an issue.
Anyway, let's get back to the game. Anna surprised me with the very rare 5.Bd3!? (D)
I am not even sure this system has a name. For some context, it is white's 6th most common move in the position, being played only about 3% of the time. I suppose you could call this the Sarana system, since GM Alexey Sarana has apparently played this a lot, mostly in rapid/blitz games. He scores almost 90% with it too (albeit against mostly lower rated opposition, but still including some strong players), so clearly there is some venom here.
After not too much thought (just a couple minutes), I simply castled 5. ... 0-0. Rare variation or not, opening principles are still opening principles, and I figured this cannot be a bad move. Later I will come back to this point to show how I think black should react to this system, but for now I will just say that the immediate 5. ... Nc6 is the most serious alternative.
6.Nge2 (D)
Here I again thought for a couple minutes and actually came up with what I think is indeed the best move now for black: 6. ... Nc6! It's a little unusual to do this before playing e7-e5, but I do have some general knowledge from similar positions that in the structure after 6. ... e5!? 7.d5!, the bishop on d3 actually can be very well-placed, since it drops back to c2 in response to ...Nc5, and keeps the e4 pawn overprotected.
7.0-0 (7.d5?! Ne5=- did not worry me) 7. ... e5 The other alternative which I will discuss later is 7. ... Nd7. 8.d5 Nd4 9.Nxd4 exd4 10.Ne2 Re8 11.f3 c5 12.Ng3! (D) (White should not entertain 12.dxc6? bxc6 13.Nxd4, when my intended 13. ... Qb6 14.Be3 Ng4! is at least equal for black.)
Unbeknownst to me during the game, I have actually figured out the main line for black in this variation. After Anna's last move though, we reach a position which it turns out is just good for white. At least, that is my opinion after having done some deeper analysis afterwards.
This is kind of like a Benoni structure, except black's pawn which normally would be on e7 (and breaks with ...e6 early on) is on d4. This has the main point of blocking the bishop on g7. Now, normally in these structures, the bishop on g7 is black's best minor piece. But in this case, it is severely restricted by that pawn on d4, which is the main source of black's difficulties here.
In fact, this is already a critical moment for black! I do want to give myself some credit for how I reacted in this unfamiliar position, because I did intuitively sense the long-term danger here. For example, I correctly judged that 12. ... a6?! (a commonly chosen move, even by some strong GMs) is already just bad for black after 13.a4!+/-. Indeed, the best case scenario there will be this kind of position after 13. ... Rb8 14.b3 Bd7 15.a5! b5 16.axb6 Qxb6 17.Ra3! (D)
In this structure, that d4 pawn would typically have gone to e6 and then ultimately been traded for either the pawn on c4 or e4. Compare the position above with the following one:
I have handled things pretty well so far. But, I am only human and here the difficulties of the position exceeded my capabilities. The only idea here to maintain a playable position is 15. ... h5!, when for example after 16.Qd2 (16.Bxd6? c4! and Nd7-b6 is good for black) 16. ... h4 17.Nh1 h3 the position is just messy and unclear.
Actually, this move should lose on the spot! I saw what white's strongest response was here, but I didn't see how I'm supposed to stop it, and reasoned that I can hardly play with my bishop on c8 the whole game and allow Ra8.
White should have a decisive advantage now, and Anna did not give me any more chances. I continued 24. ... Qd8 25.b7 Qc7 26.Ra7 Kg7 27.Ba6 There is just nothing for black to do but wait passively until white maneuvers the Ng3 over to the queenside with decisive effect. I tried the desperate 27. ... c4?! 28.Qxc4 Qb6 29.Ra8 Rxb7 30.Bxb7 Bb5 but there are a million reasons why this doesn't work. Anna ended things convincingly: 31.Qc8 d3+ 32.Kh1 d2 33.Qxf8+ Kf6 34.e5+ dxe5 35.Qh8+ Ke7 36.Qxe5+ Qe6 37.d6+ 1-0
in my humble opinion, an easier way for black to play is with the immediate 5. ... Nc6! (instead of my 5. ... 0-0). After 5. ... Nc6 6.Nge2, now black can carry out the following idea: 6. ... 0-0! 7.0-0 Nd7! (D)
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